REVIEW: THE BRONX WANDERERS CONTINUE TO CREATE THEIR OWN BRONX TALE IN LAS VEGAS

Longtime multi-genre cover aces The Bronx Wanderers continue their residency at the famed Westgate Las Vegas Resort and Casino, delivering a high-energy show before an intimate gathering of music lovers inside the Westgate Cabaret.

With no shortage of options when it comes to entertainment in Las Vegas and the ever-increasing performer residencies at landmark hotels on the strip, the competition for audiences has taken a new turn. While they may not get the attention they deserve, The Bronx Wanderers have been performing in Vegas since 2011; despite a pandemic-related venue change last summer, the band continues to play before sold-out audiences nightly.

If you expected this to be a concert of just music, this isn’t that type of show. It isn’t simply about the music the band performs; it is the real-life story of Vinny Adinolfi, the Wanderers’ lead vocalist and guitarist, whose dream it was to make it as a rock-n-roll performer. This is a show with a narrative, one that chronicles the peaks and troughs of being in the entertainment business and what it took Adinolfi to achieve his vision. His story embodies the American dream of becoming a rock star through a more unconventional route that is part of the tale he interjects between songs that the band performs. In his case, the start wasn’t all glamorous, but through his vision and dedication, Adinolfi finally made it to the bright lights of Las Vegas.

As the story unfolds, Adinolfi shares his past life along with the various jobs he had through his over 30 years in the music business. His career led him to work with some of the most iconic names in music and film. However, from the way he describes it, his greatest success came when his son joined the band. Having grown up surrounded by musicians, it was no surprise that Vincent John followed in his dad’s footsteps and into the family business. John, who serves as the lead guitarist and keyboardist, can hold his own on the guitar and seems to have a blast doing so. The connection between father and son adds to the already interesting tale, one that of course originated in the Bronx.

The show starts with a montage of video clips about everything Bronx; scenes from Italian mobster movies to more recognized streets in the Bronx are used in part to set the stage for Adinolfi, who is not only a great storyteller but has enough humor to keep the audience laughing and engaged in between songs, precisely what most came for.

The Bronx Wanderers are a group of talented multi-instrumentalist musicians that includes the founder and lead vocalist of the group Vinny Adinolfi along with his son Vincent John, who is a guitar maven and seems quite comfortable rocking out on his parts on the guitar. Rounding out the band are saxophonist Joe Bari and drummer Mike Benigno. On this night regular bassist Fernando Tort was absent. However, Angel Grande Garcia did a great job filling in and had a smile on his face the entire set. The Bronx Wanderers have certainly found a way to sound as close to the records for many of the songs, which can be challenging even for a seasoned musician.

Interestingly, the band doesn’t play their own music; instead the set list is comprised of a selection of chart-topping cover songs that range from the early ’60s, ’70s, ’80s, ’90s, and into more current tunes. The Bronx Wanderers got the night started with Dion’s 1961 super hit “I’m a Wanderer,” most appropriate for a band with a similar name. From there they quickly got into a couple of Frankie Valli tunes: “Oh What a Night” and “Grease.” With the crowd now primed, it didn’t take long before audience members were hooked and singing along in unison when they played the Neil Diamond classic “Sweet Caroline”; in fact, the crowd was singing so loud we could hardly hear the band!

Next, they shifted into a newer era that included a few Billy Joel tunes and eventually transitioning into The Stray Cats’ hit “Rock This Town.” The hand-picked tunes also included plenty of ’80s classics from Billy Idol, Rick Springfield, and Bryan Adams before taking a moment to share their special connection with American veterans. It’s clear that these musicians appreciate the sacrifices made by not only veterans but also firefighters, police, nurses, and school teachers, who were recognized that night. Appropriately the next tune was Vietnam War GI favorite 1965 tune “We Gotta Get Out of This Place” by the Animals. The sing-along songs continued with everything from Elvis and Bon Jovi to Journey and Queen before closing out the night with Dion’s 1961 #1 hit song “Runaround Sue.”

Legendary guitarist Steve Vai said, “I never worked a day in my life.” From the way it appears, The Bronx Wanderers haven’t, either, doing what they love and achieving their dream of headlining their own show night after night in Sin City. They kept the over 50-somethings entertained while they reminded us that music can be fun and make it for nearly everyone who attended to sit still, with every song, you find yourself gyrating in your seat and caught up in a sing-a-long to nearly every tune. What’s next for the Bronx Wanderers? Perhaps, some new material of their own? In this case, they have something that works; it’s fun and entertaining, but it leaves the crowd with the impression that these musicians appreciate being there, knowing the road it took to get there. As for those who attended, it was a chance to relive the songs of their youth, take a step back in time when things were simpler, fun, and exciting; for others it was a reminder of the role music plays in our lives. No matter the age, everyone found a way to connect and join in with the band; this is something that usually can’t be done for the entire show, but the Bronx Wanderers did just that.

VEGAS FAMILY ACT BRONX WANDERERS START ANEW AT WESTGATE

By John Katsilometes Las Vegas Review-Journal

Bronx Wanderers have passed what we call The Mom T-Shirt Test.

This is actually a multi-step review of Las Vegas entertainment. First, does your mom buy a shirt at the show? Check. Then, does she keep the shirt long enough to wash it multiple times? Check. Then, does she neatly fold the shirt to continue wearing it (rather than turning it into a dish rag)? Check.

Bronx has passed that test. I arrived at this method when visiting Momma Sanna in Boise in April 2020. She was folding laundry as we watched “The Price is Right” (now a pandemic-visit tradition in my visits to Idaho), and held up a Bronx Wanderers T-shirt.

“Look!” she said, smiling. She loves the show.

Your family will feel at home with the Bronx family, is the point.

Bronx Wanderers have opened their latest rock ‘n’ roll, storytelling show at Westgate Cabaret. The show’s schedule hints at the band’s tireless quality, running 5:30 p.m. Fridays, Saturdays and Sundays and 8 p.m. Thursdays through Mondays.

The band moved into Harrah’s Showroom just before the pandemic, and expected to return to Cleopatra’s Barge at Caesars Palace, but was undercut when Caesars shut down that venue in May.

Westgate was ready, slotting the Bronx show in with popular magician Jen Kramer and the “Soul of Motown” R&B revue. Comic George Wallace’s status remains unsettled. At the moment, he is not part of the Westgate roster.

Having returned with a revamped show about a month ago, BW hearkens to the music of the family patriarch Vinny Adinolfi’s patron saint, Dion, through some of son Vinny “Vin A.” Adinolfi’s favorites. A turn through the Stray Cats’ “Rock This Town” is one sharp selection.

The younger Adinolfi plays guitar, keys, shows off his drumming, and has sufficient range to sing up on high during Queen’s “Bohemian Rhapsody.” He grins readily and makes jokes dealing with his dad by leaning on Jack Daniel’s and Prozac.

The show is stuffed with sing-alongs and familiar tunes, the type that evoke nostalgia. “Sweet Caroline,” a surf-rock medley of “Wipe Out” and the “Hawaii 5-0” theme, “Who Loves You” by the Four Seasons, Billy Joel’s “Scenes From an Italian Restaurant.”

The guys toss in some customized lyrics in a new knuckleball, “Everybody (Backstreet’s Back),” by Backstreet Boys (“Bronx is back, all right!”). A risky move, but the rendition is fun. They also add the line, “We’re Bronx Wanderers’ family rock and roll band,” for the “Sgt. Pepper”-Beatles closing, replete with a modified “Sgt. Pepper” album cover, showing the Bronx band.

It’s a good time all over the place. Vinny and Vin A. score with the crowd by returning to their Bronx roots. Recording star Tony Orlando, who made the trip to the show’s premiere a couple weeks ago, is among the family’s earliest supporters. So is actor Chazz Palminteri, who appears on video and tells the band, “The saddest thing in life is wasted talent and the choices you make will shape your life forever.”

Adinolfi the elder spins tales of how, as a young record producer, he was known as a hitmaker. Jim Croce was among his artists, and he was an exec behind Reba McEntire’s “Does He Love You,” just re-recorded after 27 years. A series of mergers and takeovers eventually threw Adinolfi into unemployment, but cleared the path for him to form a rock band with his boys.

Vin A., a guy born to be onstage, remains in Vegas. Bronx brother Nick, originally in the band during its five years in town, has opted to move his family back to New Jersey. He’s still shown in the old home movies, clearly an integral part of the tale told in every show.

Some of the Bronx shtick will prompt a roll of the eyes. The church choir piped in every time they mention Dion’s name, for instance. But it feels like dropping a needle on an old LP and listening with the family. We’ve done it many times. With the Bronx crew, the shirt fits.

The Bronx Wanderers celebrate grand opening of new show at Westgate Las Vegas

by Meghan Platt

Wednesday, October 27th 2021


LAS VEGAS (KSNV) — Last night, The Bronx wanderers celebrated the grand opening of their new show at West Gate Las Vegas Resort & Casino with a celebrity-filled blue carpet.

Special guests included Anthony Cools, the Australian Bee Gees, Daniel Emmet, Dennis Bono, Douglas Leferovich, Illuminate cast members Effie Tutko, Cristian Barreto, and Dougal Herr, Jen Kramer, Murray SawChuck, and Dani Elizabeth among others.

Back by popular demand, the father-son duo, flanked by their top-notch band, has performed over 1,500 shows in Las Vegas for more than 200,000 fans.

The show thrills its audiences with an up-close and personal yet larger-than-life music performance, taking them on a journey from the early days of Rock 'N' Roll right through today's biggest hits.

By pairing superlative vocals and expert musical flair with dynamic enthusiasm and genuine love for the music they perform. The Bronx Wanderers recreate the instrumental magic of the era and build an energetic bond with their audience, will take the stage every night with new material, however, they'll never leave out the favorites that their fans and audiences have come to love.

They entertain audiences of all ages with performances Monday through Thursday at 8 p.m. and Friday, Saturday, and Sunday at 5:30 p.m. at the Westgate Cabaret.

You can find additional information and details here and tickets can be purchased here.


With two popular Las Vegas shows, Glist Entertainment is ready for more

By Brock Radke (contact)

Monday, Aug. 16, 2021 | 2 a.m.

Kathi Glist likes to describe “Menopause the Musical” as the “little show that could,” an appropriate title since the musical comedy at Harrah’s Las Vegas has been entertaining audiences for 16 years.

“You would not expect a show with four characters singing and dancing about this subject matter to be this successful in Las Vegas or anywhere else, but it just strikes a chord,” she says. “Those girls onstage are talking to that woman in the audience and she takes ownership of it. It becomes more than entertainment, empowering for them, and they feel like they’re not alone.

“On the surface it seems like just a great musical comedy that’s so entertaining, but then something happens where those four ladies are forming a sisterhood and the audience member becomes the fifth girlfriend. It’s very unique in that it’s so uplifting.”

Menopause” is currently the longest running scripted musical on the Las Vegas Strip, playing six nights a week at the intimate Harrah’s Cabaret space after reopening after the pandemic shutdown on July 22.

But it’s also the show that first brought Kathi and Alan Glist to Las Vegas from Florida and New York, where the couple had already established a long career as Tony Award-winning theatrical producers. Among the epic shows they worked on are “Fiddler on the Roof,” “Oliver,” “The King & I,” “9 to 5 The Musical,” “La Cage aux Folles” and “Glengarry Glen Ross,” and off-Broadway sensations “I Love You, You’re Perfect, Now Change” and “I Love You Because.”

As co-founders of GFour Productions, the Glists discovered “Menopause” and have been producing touring and resident versions of the show since 2001. It was originally installed in Las Vegas at the Las Vegas Hilton, the property now known as Westgate Las Vegas, where the couple’s other show will reopen on September 20—the concert spectacular from talented family band the Bronx Wanderers.

“We felt really good about that show when we first brought it here six years ago and everybody from hotel people to locals, concierges to restaurant people, everyone embraced that show,” Alan says. “It has a great following and fanbase and people come back over and over, and audiences feel the same way about ‘Menopause.’ We feel so blessed that we have two shows that no one sees just once.”

The Glists sold their home in Florida and moved to Las Vegas full-time a few years ago to oversee their entertainment business, and also parted ways with the GFour company, which continues to operate touring productions of “Menopause.” Glist Entertainment is now focused on “Menopause” at Harrah’s and the Bronx Wanderers at Westgate.

The Glists also brought the unique interactive show “Thomas John: Celebrity Psychic Medium” to Caesars Palace prior to the pandemic, and while there are no current plans to revive that production, the couple is developing two new projects for Las Vegas that could come to light next year.

“We have a very big project for spring of next year, assuming everything gets straightened out with the pandemic, and another for Vegas hopefully happening in spring or summer of 2022,” Alan says.

Despite the struggles of the last year and a half and the return to certain restrictions during the current COVID surge, the Glists are bullish on Las Vegas entertainment and ready to roll with the punches of changing guidelines.

“Midway through the pandemic we were very concerned and thought there would be a very slow return, and we were not one of the first shows to reopen when there were [limited capacity requirements,” Kathi says. “But from what we’re seeing, people were so restricted for long, the first thing they want to do is get out and celebrate life, and I think we have two great shows that will help you forget about your cares and your woes for 90 minutes. The lighter the show, the more entertaining and uplifting, that’s the show people need to see right now.”

Vegas hit ‘Menopause’ ready to reheat after 16-month break

By John Katsilometes Las Vegas Review-Journal

You imagine how the original “pitch” meeting could have played out for “Menopause The Musical” in Las Vegas:

“I have a show for Las Vegas. It’s a musical. It’s about menopause …”

“Next!”

But no, the musical about menopause is maturing very well in Sin City. “Menopause the Musical” is returning to Harrah’s Cabaret this weekend. Its first preview was to be Thursday night. “Menopause” has survived myriad entertainment trends over the years, and a fickle market for live entertainment.

“Menopause” is the city’s longest-running musical, ever, even as musical theater is an especially tough sell in Vegas hotel-casinos. A leading example was the inspired “Hairspray,” which opened at Luxor in early 2006, about the same time as “Menopause.” That show, with it’s Broadway-caliber cast led by Harvey Fierstein and Dick Latessa, opened and closed within five weeks.

Yet “Menopause” is an incurable hit, some 5,673 shows into its Vegas run. The show addresses the autumn of life, but is a February sensation, opening at Shimmer Cabaret at Las Vegas Hilton in February 2006, moving to Luxor’s Atrium Showroom in February 2009, and to Harrah’s in February 2015.

“Menopause” is also the only Actors’ Equity production still playing in Las Vegas, running a Broadway-style schedule of eight shows a week, surviving yet another showbiz trend.

“If I had known 16 years ago what I know now about Las Vegas, I would never have brought ‘Menopause’ here,” co-producer Alan Glist said during a final dress rehearsal Wednesday at Harrah’s Cabaret, before the show’s Thursday reopening. “But here we are. We’ve beaten all the odds.”

The reason for the “Menopause” success start with the show’s lineup of great numbers, tight comic writing and its cast. “Menopause” has always employed great comic actresses and singers. Vita Corimbi Drew (Earth Mother in the show) is an original cast member. Cherity Harchis (Iowa Housewife), Lisa Mack (Professional Woman) and Jacquelyn Holland-Wright (Soap Star) are the principal cast members. Krissy Johnson Millstein swings all roles.

During its 16 years in Vegas, “Menopause” has also recruited such guest stars as Susan Anton (at Luxor) and Cindy Williams of “Laverne and Shirley” fame (more recently at Harrah’s). Williams, who still lives in Las Vegas, might return to the production as she has just finished a run of her one-woman show, “Me, Myself & Shirley,” in Boca Raton, Fla.

The show’s sharp script, written originally by Jeanie Landers, has held up over the years. “Menopause” was actually performed in a small theater in Orlando, Fla., in 2001 before taking on the Las Vegas Hilton.

Today’s lineup is asked just how “Menopause” has achieved such staying power.

“The longevity factor is because it is funny,” Corimbi Drew says. “And it’s relatable. All of the songs are recognizable — the Beach Boys, Aretha Franklin. It is the sound track of people’s lives. People immediately hum along.”

“California Girls” “Good Vibrations” and “Help Me Rhonda” are the Beach Boys numbers. A cover of “Chain of Fools” from Franklin is a highlight. “Heard it Through the Grapevine,” “I Got You Babe,” “Stayin’ Alive” and “What’s Love Got to Do With It” are all sung, live from the stage.

The songs are spun through a satirical blender. “My Guy” is “My Thighs.” “I’m havin’ a hot flash,” is the subbed lyric in “Heat Wave.”

The musical bond keeps the audience engaged. So do some of the universal gags in the show.

“Men enjoy it, even though it’s about women going through the change,” Corimbi says. “How many times have your glasses been on your head and you forget where they are?”

Plenty. But more a unlikely moment is following a half-dozen nuns into a Las Vegas production show. This happened about five years ago at “Menopause.” Alan and Kathi Glist are still wondering which of the show’s marketing appendages reached the convent.

The nuns were having a great time of it, but one scene near the end of the performance had the producers and cast concerned. It’s the “Only You” number, where the cast uses household items as microphones — spoons, spatulas and the like. Iowa Housewife, the lead singer, uses a pink, adult toy.

As the song started and the prop was revealed, all heads turned to the nuns. To great relief, they laughed. They also took part in the post-show meet-and-greet.

“I remember that night!” Mack says. “I kept looking at the nuns. I’d dance, and look at the nuns. I was nervous for Iowa. But we won over the nuns. It was awesome.”

“I think they felt empowered, like everybody else,” Corimbi Drew says. “That’s the beauty of the show.”